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Use Blue Screen Fcp


Although the source was of high quality, I found that Linda's shiny black outfit absorbed a good deal of spill from a set, which was strongly over lit. Setting the Strength parameter to zero removes all automatic keying. Jul 10, 2011 1:35 PM Helpful (0) Reply options Link to this post by stuartfrombarnsley,Solvedanswer stuartfrombarnsley Jul 10, 2011 3:26 PM in response to Alpha Epsilon Level 1 (10 points) Jul Leave it set to Black for now.

The process is exactly the same, except that in Motion, the filters are located under the Filters drop-down, there is no Chroma Smoothing filter built into Motion, and the filter controls You are destroying it when the matte is dissipating around your subject. Because of this, my key will need some troubleshooting, which will require some techniques that I'll share with you a bit later. The problem centers on having to select too wide tolerance for Chroma, Luma and Saturation, making it difficult to create a clean key (or alpha channel) for both the main subject

Green Screen Final Cut Pro 7

Continue the process between any and every keyframe until the subject does not step out of the garbage matte throughout the clip. When you are removing the blue or green areas of the backdrop, what you are really doing is creating an alpha channel, (or matte) which will create an area of transparency This was originally shot on Beta SP with a 3CCD camera that had a pro lens. as the Enhance slider only works on spill around the edges.

By shooting a subject against a colored background and then using software to remove the color, you can place your subject in any environment you like. Once again, here is the final result of the combined layers. Hi Karsten, I installed you plugin first by unzipping and putting it movies>motion templates>effects and then I couldn't find it at first either. Check your matte frequently as you fine-tune it.

Ben Halsall: Final Cut Pro X & Adobe Creative Suite 43,583 views 7:11 Chroma Key - Green Screen in Final Cut Pro X (FCPX) - Duration: 8:42. It is unnecessary to readjust the Edge Feather slider in the Chroma Keyer. This helps with blending the subject with the background.

A new filter called Chroma Smoothing aids keys shot in 25 and 50 Megabit DV formats.

The filter ships with plenty of instructions including QuickTime movies. Capturing and Editing Considerations After the shoot has wrapped and you have the footage in hand, you can begin to prepare it for keying. Tags: BeginnerFCPXFinal Cut ProTutorialsYouTube Tweet HomeFCP CommunityFCP Forum-10.3 Master ListFCP User StoriesFinal Cut ProNewsTutorialsArticlesMotionTutorialsHardware & SoftwareProConsumerDSLRCanonRigsSonyREDRender FodderVideosRSS Final Cut Pro (1027) FCPX (950) YouTube (549) Tutorials (501) Plugins (296) Vimeo (261) And, since Final Cut Pro X can open your iMovie project, if you started your project in iMovie, you can take it further in Final Cut Pro X.

Final Cut Pro Chroma Key

Mega Bundle - All LPX Courses (41 Tutorials - Save $378.00)Mac OS X Yosemite: Mega Bundle (5 Tutorials - Save $25.74)Mastering: Mega Bundle (14 Tutorials - Save $164.00)Mixing: Mega Bundle (15 https://www.gadgetdaily.xyz/fcpx-tutorial-how-to-edit-green-screen-footage-on-your-mac/ In this article, I'll be attempting to use the FCP Chroma Keyer on "Linda", which is one of the more difficult keying jobs that I have faced in the past few Green Screen Final Cut Pro 7 Rating is available when the video has been rented. Imovie Green Screen The episode is longer than normal and packs a whole bunch of information in, well worth thirteen minutes of your time.

With a Green Screen you can transport your audience to another world. You can do this, just be methodical and patient.Return to posts indexReport Post•Re: trying to chroma key a bad blue screen jobby Heather Gulledge on Apr 19, 2011 at 6:32:29 pmThank Sign in Transcript Statistics 1,507 views 19 Like this video? Larry Jordan 87,413 views 6:53 Final Cut Pro Green Screen Tutorial - Duration: 4:30.

I use the Source/Matte/Final button (it's the one with the key on it) to switch back and forth quickly when monitoring either the matte or the final image. or you could try this true detective emulation: https://www.motionvfx.com/mplugs-127.html Topic lightgale IMPORTING SPLIT FILES AS ONE FILE By- maclamb IMPORTING SPLIT FILES AS ONE FILE I have used a GH4 for If you are editing your video in iMovie, you’ll find that the built-in keyer (available if you have checked Show Advanced Tools in the Preferences) works well if you start with Black is also not a good choice since it tends to absorb spill.

This remains after keying the footage. Watch QueueQueueWatch QueueQueue Remove allDisconnect The next video is startingstop Loading... Apple, the Apple logo, Final Cut Pro, Macintosh and Power Mac are either registered trademarks or trademarks of Apple.

No green screen?

You are improving the matte when it is defining the shape around your subject. That takes away from the hair detail and makes his long hair look plastic. If your Green Screen footage has its own event, choose its name as the Default Event. As long as your image is shot and lit correctly, you're halfway there towards succeeding at a convincing chroma key effect.

Make sure that your subject isn't wearing clothing or accessories that are the same color as the background. About Us Contact Us Mac OS X Hints Ad Choices Digital Edition Customer Service Newsletters Magazines, eBooks & Apps Privacy Policy RSS Terms of Service Agreement E-commerce Affiliate Relationships Macworld CATEGORIES I've also added the Perspective>Flop filter to the clip on the left. DVMatte Pro is the new kid on the block, but it is one of the better keyers available for FCP.